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Part of my current Blue(s)Print poetic practice, this piece was written after attending a friend's Nichiren Buddhism conference and then later attending Betty’s Daughter Arts Collaborative’s black/water: The Digital Ceremony. The shape of the poem's maps are inspired by the Angaria Delphinus shell I received recently, thinking about the connections to the Delphi Oracles, Sibyls, and Mami Wata priestesses. I want this piece to represent the Sux within language and history, and that language can be a meditative, spiritual guide and gate opener to the vast history and connections of the diaspora. Is what we think of as lost really lost or just transformed and in constant motion?

How Can You See in the Dark Part II Mapping