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This paper looks at the performance of Mueller’s play Verkommenes Ufer, through the prism of its Hindi Translation to engage with the pertaining issues related to the field of theatre translation. It is interesting to go about the process of production of his play into Hindi within the context of current debates that are emerging in relation to the translation in the field of theatre. This is particularly relevant as the debates in the field of Theater Translation makes differentiation between the literary translation and the theatre translation on the pretext that a theatre translation is undertaken keeping in mind the hypothetical performance.

An Engagement with the Theatre Translation of Heiner Mueller’s play Verkommenes Ufer Medeamaterial Landschaft Mit Argonauten into Hindi