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This article attempts to observe, stemming from an extract, the sociocultural construction processes of the "Estado Bonaerense" (Buenos Aires State) during the first half of the 1920s, in relation to a set of events that occurred simultaneously: the democratic opening, the increasing citizen’s presence in the public sphere and the emergence of new mass cultural practices. This analysis is circumscribed to two specific events: the International Samples Exhibition-Fair in La Plata city and motor races, both organized by the radical administration of José Luis Cantilo (1922-1926) in the province of Buenos Aires. These interventions are examined in sociocultural terms, i.e. the emphasis is placed on identifying the mediation of underlying discourses, practices and representations. The argument of this work suggests that the inclusion of these performative interventions reveals the progress of the “Estado Bonaerense” in relation to new mass cultural practices experienced by the society during the first half of the 1920s. In this context, the provincial State appealed to representations and practices of mass culture (associated with the use of public space, leisure and recreation) to build a new connection with the civil society, and also a state narrative associated with the executive capacity.

Episodios en la construcción sociocultural del Estado bonaerense durante el radicalismo (1922-1926)