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The sociological analysis of films give us an excellent way of interpretation and application of concepts and theories of sociology. From the audiovisual field, sociology serves as a contribution to scientific researches on the cinema, and may find in films an important amount of cultural products which are important material for social analysis. In this paper, the author seeks to delineate, from the film Dogville, theoretical elements and refinements that crisscross aesthetic, sociological and theatrical concepts in order to clarify the interpretative possibilities of that thing which we call society. Lined in the film, the goal is to focus on the relationship between aesthetics and effect of the movie Dogville on the audience, from the point of view of the construction of the film, highlighting aspects of content linked to sociological notions such as community, security and civilizing process.

Olhando para trás ou para que serve um filme de 2003? Uma análise sociológica de Dogville