English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The subject of this article is the analysis of the selected songs—classified as ballads—of the band Pod Budą from Kraków, which purpose is to prove the thesis that the most important song codes in sung poetry are located in lyrics. This thesis is argued by the fact that vocal-instrumental parts of the work underline the importance of lyrics through suitably shaped components of a musical work. Lyrics in sung poetry emphasize therefore: agogic and melodic accents when singing in both high and low volume, and in the instrumental part, apart from the specific dynamics, also tempo. Certain musical technique also helps to trigger the imagination of the recipient as, while listening to the song, the audience can see what the vocalist sings about, that is the space and the situations in which a character of the song is located.

Reflection on the Lyrics of the Sung Poetry in Its Vocal-Instrumental Layer on the Example of Selected Pod Budą’s Works