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In view of the emergence of increasingly sophisticated tools for automatic translation, a legitimate question arises: what is the difference between human translation and machine translation, which competence surplus is brought by the human factor, what conditions must be met for human translation to be more perfect than machine translation? The author tries to answer the question discussing different types of competences with particular emphasis on literary competence related to the poetic function of the language. Referring to selected principles of the Translation Studies, postulated in Kubaszczyk (2019), the author argues why human being is still irreplaceable in literary rendering and shows, in reference to Jakobson (1960), how in literary rendering the translator shifts from the selection axis to the combination axis searching for the optimal solution. In the second part of the article, the theoretical argument is supported by empirical evidence.

studia litteraria universitatis iagellonicae cracoviensis/studia litteraria universitatis iagielloniae cracoviensis

„Ryby rzeczne są zazwyczaj niedorzeczne”. Czego nie potrafi maszyna, czyli o kompetencjach tłumacza i prawach przekładu w kontekście przekładu literackiego