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The intention is to survey the current condition of the works of the South African Eugene Marais (1871–1936). This is with a view to alerting the general reader to certain inherited disorganisations which, in the light of professional  scholarly  and  editing standards, need to be recognised and rectified. Marais’s output as a poet and short story  writer,  as  well  as  the  pioneer populariser of nature studies conducted particularly in the Transvaal Highveld after the Second Anglo-Boer War, in both official languages of his day (English and Afrikaans), have ensured him the status of a unique cultural icon. Yet  the  publishing opportunities open to him in his hand to mouth, haunted career, especially as a journalist, meant  his  contributions  were assembled into book form haphazardly, or remained unrecuperated from often neglected periodicals of the mid-1890s to the mid- 1930s to which he contributed.  Keywords:  Afrikaans  poetry,  biography,  drug  abuse,  editing  etiquette,  Eugene  N.  Marais, nature  studies.

Soul-brother Eugène N. Marais: Some notes towards a re-edit of his works