English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

The aim of this article is to form a better understanding of life in black urban areas, using art that was created by black artists who lived and worked in Soweto and surrounding areas from the early 1940s up to the mid 1970s. These artists included Gerard Sekoto, Durant Sihlali and Ephraim Ngatane. Works created by these black artists will be analysed in order to formulate an idea of what life was like in the townships, especially the social life and leisure activities of the black inhabitants. An analysis of these works, which form part of Township Art, ought to introduce township life to the reader and serve as a doorway for further investigation. It may also provide readers and viewers of the art with some understanding of the sociology of urbanisation in the townships. This article will clearly emphasise the cultural-historical value of Township Art.Stedelike swartes se sosiale lewe en vryetydsbesteding in Johannesburg, soos uitgebeeld deur Township-kuns (1940's tot 1970's)Die doel van hierdie artikel is om 'n beter begrip vir die lewe in swart stedelike gebiede te bewerkstellig deur gebruik te maak van kunswerke deur swart kunstenaars wat van die vroee 1940's tot die middel van die 1970's in Soweto en die omliggende gebiede gewoon en gewerk het. Hierdie kunstenaars het die volgende ingesluit: Gerard Sekoto, Durant Sihlali en Ephraim Ngatane. Werke deur hierdie kunstenaars sal ontleed word om 'n beeld van die lewe in die woonbuurtes te skep, veral die sosiale lewe en die vryetydsaktiwiteite van die swart inwoners. 'n Ontleding van hierdie werke, wat deel van Township-kuns vorm, behoort die leser aan 'n belewenis van die lewe in die woonbuurtes bekend te stel en kan as 'n beginpunt vir verdere ondersoek dien. Dit kan die leser en aanskouer van die kuns voorts ook lei tot 'n groter begrip vir die sosiologie van verstedeliking in die woonbuurtes. Hierdie artikel beklemtoon die kultuurhistoriese waarde van Township-kuns onomwonde.

Boekbesprekings/Book Review: "Pioneers of the Waterberg: a photographic journey"