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This paper seeks to examine Tadjo’s art of storytelling in \udAs the crow flies, focusing on her approach which is partly surrealistic and partly traditional in blending several artistic \udmodes,  such  as  poetry,  narration,  drama,  myth-making,  and  imagistic  symbols.  The examination establishes Tadjo’s style in the art of storytelling as an innovator who breaks with the traditional relationships between narration and plot; and introduces a fluid and liberating style which has “no frontiers”. This approach ofpostmodernism radicalizes the traditional  mode  and  subverts  the  craft  of  storytelling.  The  paper  makes  the  claim  that \udTadjo utilizes several principles of surrealism to relate the disconnection and unreality of human stories in which the unconscious is used as a source material to deal with life’s ills \udand traumas

Surrealism, Subversion, and Storytelling in Véronique Tadjo’s <i>As the crow flies</i>