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During the First World War the singing and collecting of folksongs obviously had importance. There even were projects of collecting them on the front, in prisoner of-war camps and in the hinterland. The functions of that practice were different. Folksongs in their traditional interpretation as a symbol of an innocent idyll could be used for producing a counterword to a problematic reality, and as an expression of a nation they were good for creating identities in varying forms. There are different forms of practicing and publications, which can be regarded as a mirror of desires and utopias of the then protagonists.

Folksongs as “Jack of all Trades”: About the Meanings of Singing Folksongs in the First World War in Austria