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Cabaret and the popular culture of the Weimar Republic are evidence of a thoroughly modern attitude towards kitsch, which outshines pejorative essays about the degenerating impact of kitsch. This is shown by the example of Friedrich Hollaenders “Kitsch-Tango”, composed for a cabaret revue, and the referential systems, the song refers to – the world of popular culture and the knowledge about the evaluation of certain cliches as “kitsch” by the academia then.

Mesečina, slavci in sanje o Havajih – referenčni sistemi »kiča« v nemškem glasbenem kabaretu pozne Weimarske republike