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Bu calismanin temel amaci, mimarlik arastirmalari kapsaminda yazinsal metinlerin kullanimini onermek ve bu baglamda mimarlik ve edebiyat arasindaki olasi iliskinin potansiyel yararlarini ornekleyerek ortaya koymaktir. Bu iki alan – mimarlik ve edebiyat –   arasindaki iliski, hem yazinsal kurgu hem de mimarlik soylemi cercevesinden resmedilerek incelenmistir. Yazinsal kurguyu temsil eden birinci orneklem alan, bilim kurgu yazari Jim Graham Ballard’in High Rise ve Concrete Island adli iki romanindan olusmaktadir. Mimarlik soylemini temsil eden ikinci orneklem alan ise, Roger Trancik’in “modern” kentsel mekân uzerine gelistirmis oldugu ve bu calismada, Le Corbusier’in “Sokagin Olumu” seklindeki onermesine karsi bir elestiri olarak yorumlanan “kayip mekân” baslikli soyleminden olusmaktadir. Sonuc olarak, bu calisma yazinsal kurguyu mimarlik arastirmalari icin bir arac olarak ortaya koymak ve modern mimarlik ve modern kentsel mekânin sonuclari hakkindaki yazinsal araclar, tek bir disiplinin – mimarligin – sinirlari icinde kolaylikla saglanamayacak bir farkindalik yaratmak uzere yeni bir yontem olarak onerilmektedir. The main aims of this study are to propose the employment of literary texts in architectural research and to illustrate the potential benefits of any prospective relationship between architecture and literature. The proposal is portrayed through a theme selected from both literary fiction and architectural discourse. These two realms and the relationship between them will be examined through the use of two examples. The first example is the work of Jim Graham Ballard, a science fiction writer working with the realm of literary fiction, and the second example is “lost space,” Roger Trancik’s notorious discourse on the quality of modern urban space that can be interpreted as criticizing Le Corbusier’s well-known statement from the realm of architectural discourse on “the death of the street.” The medium of literature about the consequence of modern architecture is therefore offered as a new way to awareness, which is hardly possible through the instruments of a single discipline; in other words, within the frontiers of architecture itself. In this respect, this paper puts forward literary fiction as an instrument for architectural research.

Architectural Literary Analysis: Reading “The Death Of The Street” Through Ballard’s Literature And Trancik’s “Lost Space”