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Wilde's complete adherence to aestheticism led him to write beautifully but maybe without any stress on the significance of morality. His only novel The Picture of Dorian Gray reveals his philosophy of aestheticism in both art and life. The standpoint of 'beauty' dominates the novel in a way that almost all of its possible themes are shadowed or directed through the strict filter of aestheticism. However, it seems that this is only a half-truth, as moral and social issues are also revealed with a fastidious precision. Dorian Gray is constantly troubled by the ghosts of conscience, aging, and alienation, and these ordeals force him into the dark dungeon of paranoia. Hence, the common knowledge concerning Wilde's art is a matter of debate, and this scrutiny essays to lay stress on the assumption that this novel is not solely an aesthetic work but a combination of aestheticism and realism. To accomplish this, the present study aims to delve into the inordinate fear and vulnerability of Dorian Gray's character, which is dominantly ruled by the fading beauty of his soul. The paper will put the novel under the scrutiny of the psychological trauma of narcissism to conclude how social alienation brings about Dorian Gray's mental breakdown. professional quality, the author rethinks the problems and the tasks in foreign language teaching practice and puts forward the new orientation and conception.

Aestheticism versus Realism? Narcissistic Mania of the Unheeded Soul in Oscar Wilde's The Picture of Dorian Gray