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This study tries to show decolonization in Herman Melville’s Moby Dick. Melville applies some narrative techniques which closely match those of the decolonization process. The narrative has a potentially representative content which opens one’s horizons toward new sources of meaning and conceptual interpretation. The focal point, in this study, is to examine the decolonization level and its strategies as agency, abrogation, undermining, appropriation, multiculturalism and hubridity to see how tangibly these terms agree with the very context of the above-mentioned novel and to find out whether the purely abstract terms extracted from decolonization theory can be concretized in a practical form. Furthermore, this study aims at scrutinizing in detail the frequency and the possibility of the decolonization in the very fabric and texture of fictional narrative of colonized nations in general

Hybridity as Instrument of Decolonization in Herman Melville‘s Moby Dick