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Henrik Ibsen is deemed as one of the major Norwegian playwright of the late 19th century who introduced to the European stage a new order of moral analysis that was placed against a severely realistic middle-class background and developed with economy of action, penetrating dialogue, and rigorous thought. Most of his literary works are often dissected from a modernist perspective; however notions like women&rsquo;s emancipation, irony, and conflict, have paved the path for critics to survey his works from various angles and terms. This paper tends to lay stress on the postmodernist dimensions of Henrik Ibsen&rsquo;s A Doll&rsquo;s House, a play which manifests different aspects of modernism as a common feature of Ibsen&rsquo;s works; nevertheless, demonstration of different notions of postmodernity cannot and will not be repudiated in the play

Henrik Ibsen‘s A Doll’s House: A Postmodernist Study