English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article represents the second part of a simple and intuitive method, finalized to “speaking” the Be-Bop language almost immediately, without possessing any particular jazz background. We herein exclusively discuss the improvisation techniques regarding the Minor Seventh Chords. Starting from a specific extended “sentence”, built around the Minor Triad, we show how to instantly deduce further sentences, how to modify them, by cutting and adding “words”, and how to effectively combine them. Moreover, we briefly explain how to deal with tonicization, and how to use the sentences suitable for the Minor Seventh Chords on the “corresponding” Dominant Seventh and Half-Diminished Chords.

The Art of Improvising: The Be-Bop Language and the Minor Seventh Chords