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espanolEn el marco de un mundo globalizado, la aparente "desideologizacion" que acompana a los bienes culturales actuales, sirve a los propositos de reproduccion del sistema capitalista, entendido este dentro de su vertiente cultural actual como un sistema omnipresente y omniabarcante. En este sentido, los productos culturales del mainstream estadounidense, continuan constituyendo, aun a dia de hoy, uno de los principales pilares a traves de los cuales el sistema se representa a si mismo, proponiendo y defendiendo determinados modos de vida, en concreto, el American Way of Life. En el actual contexto, el mainstream cinematografico, a traves de productos como “Los Juegos del Hambre” (The Hunger Games, Ross, 2012; Lawrence, 2013, 2014, 2015) o “Del Reves” (Inside Out, Docter, 2015), apuestan por una aparente doble via de falsa salida (distopica y eutopica), ante los conflictos de orden psicologico y/o ideologico que atraviesan la crisis del modelo social actual. EnglishWithin the context of a globalized world, the seeming “de-ideologization” that accompanies contemporary cultural products is in fact useful to the reproduction of the capitalist system, this being an omnipresent and over-encompassing system. With that in mind, American mainstream cultural industry is one of the main pillars through which the system represents itself, proposing and defending specific worldviews, namely, the American Way of Life. Recent mainstream cinema, through products such as The Hunger Games (Ross, 2012; Lawrence, 2013, 2014, 2015) or Inside Out (Docter, 2015), proposes an apparent “two-track” strategy of a false way-out (dystopic and eutopic), as a way to face the psychological and/or ideological conflicts that characterize the crisis of the contemporary social model.

Distopía, eutopía y crisis social en el cine mainstream (Los casos de Los juegos del hambre y Del revés)