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The commonly heard statement "Spain is different" contains a series of contradictions, paradoxes, and questions concerning Iberia's place within the global community, a community that is itself deeply contradictory—more and more the same and yet more and more fragmented. Immigration highlights the sameness/otherness dichotomy in Spanish culture, and the situation of African immigrants has especially caused the Spanish national consciousness an ethical quandary. Here I examine four recent cultural representations of African immigration in Spain—two journalistic works: Mikel Azurmendi's  Estampas del Ejido  and Antonio Elorza's articles in  El País ; and two documentary films: Básel Ramsis's  El otro lado: un acercamiento a Lavapiés  and José Luis Guerín's  En construcción  in order to assess the ways in which Spaniards are projecting their sense of national identity in the face of large-scale immigration, a most revealing mirror

"Soy tú. Soy él": African Immigration and Otherness in the Spanish Collective Conscience