English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Zendy Pro

Presents the zaia usage as premium feature

ZAIA

Presents AI Discovery search usage as a premium feature

AI Discovery

Presents AI Discovery explain and summary usage as a premium feature

Content Analysis

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Presents the pdf analysis as premium feature

PDF Analysis

1500 Top-up

3000 Top-up

Zendy Basic

2500 Top-up

Zendy Unlimited

Presents the access of premium content as premium feature

Premium Content

Along with Eduardo Chillida, Jorge Oteiza is one of the best-known Basque sculptors of his generation. Although many scholars have written on Oteiza's significant contribution to the field of sculpture, and have analyzed his theories on the meaning of art, very few take into consideration Oteiza's 13 years in Latin America, much less acknowledge that these years had a decisive impact on his art and particularly on his critical essays and poetry. In this essay, I explore how Oteiza's stay in Latin America contributed to his reevaluation of the avant-garde movements in Europe and Latin America, and how it led him to redefine his relationship to progress, science, reason and nature, space and time, ethics, and national art. During the course of his interaction with Latin American artistic movements, Oteiza's thoughts on artistic singularity and universality matured, and he confirmed his strong sense of spirituality in order to liberate traditionally defined conceptual opposites such as the intellectual and the sacred from their teleological confinement

Jorge Oteiza's Modernity and His Latin American Travels