English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Postmodern poetry resists classification in tight compartments. After the last artificially-named group of the  novisimos  in the 60s, the evolution of poetry in Spain has followed different and at times divergent paths. The  novisimos  had reacted against "social" poetry, denouncing its lack of attention to artistry, almost prosaic quality, subservience to theme, and produced elaborate creations with an emphasis on form and the exquisite and more hermetic word and subject. Obeying the law of  corsi e ricorsi , there was a certain return in the 80s to simpler expression which, however, does not pretend to be that of the "man on the street" reflecting the historical circumstance, but rather a search for essences, for eternal values. Each poet—M.V. Atencia, Jesus Munarriz, and Luis Suñen can serve as examples of the "essential" inclination—traces his own way and creates a personal poetics. Faith in the word is their common denominator. This turn to simplicity can also be observed in the last works of such poets as Carvajal, Gimferrer and Siles, who admit, however, greater ambiguity of word and intention

Recent Poetry and the Essential Word