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Bangwadi ba Bathobaso ba difela ta kereke ba hueditwe ke bangwadi ba baruti (ba Matoithi ba Kereke ya Lutere ya Berlin) ge ba tlo ngwala difela. Ka go realo ke ba mathomo ba go ngwala poleloopelwa ya Sepedi. Ka lebaka la gore baruti ba Matoithi ba be ba sa tsebe melao ya go laola metara wa Sepedi, ba thomile go hlama difela ta bona ka mokgwa wo difela ta Setoithi di hlamilwego ka wona. Bangwadi ba difela ba Bapedi le bona ba ba ala morago bjalo. Ka go realo go ka thwe mothopomogolo wa khueto ya sebjalebjale dingwalong ta Sepedi ke mediro ya kereke ya mathomothomo. Le ge go le bjalo bohlokwa bjo bja kgolo ya theto ka tsela ya difela dingwalong ta Sepedi ga se bja alwa morago le go gatelelwa ke basekaseki. Maikemieto a taodiwana ye ke go lekola, ka botlalo, mongwalelo wa difela ka go nepia sefela sa Serote sa 147 sa go bitwa A re thabeng re rete (Difela ta kereke 2010:130). Go yo tsitsinkela ka fao mongwalelo o twetago pele kgegeo. Ka mantu a mangwe, go yo sekasekwa dipharologantho ta mongwalelo te di twetago pele kgegeo. Go tlo lemogwa gore kgegeo yeo e bonagatwa ka modiro wa Selalelo se Sekgethwa sa Morena seo se hlalowago ka tsela ya khuduego/maikutlo go tweta pele morero wa mongwadi/moopedi wa sefela se ka ge bjale Selalelo e le selo seo Bakriste ba se hlomphago (se lebane le tshwarelo ya dibe ta bona), go ya ka fao se hlalowago ka gona ka tsela yeo ya kgegeo.AbstractBlack composers of church hymns were influenced by German pastors of the Berlin Lutheran Church to do so. In other words, these pastors were the first composers to write the Sepedi language in the form of music; because they did not know the rules that control the Sepedi meter, the writers started to compose their hymns in the way that the German hymns were patterned. Therefore, one might argue that the main source of modern influence in Sepedi literature lies in the workings of the very first hymns of the said church. Nevertheless, the importance of the development of poetry in the form of hymns in the Sepedi literature has not been followed up and emphasised by reviewers.The aim of this article is to survey thoroughly the style of writing hymns, by discussing Rev Serotes hymn number 147, entitled A re thabeng re rete (Difela ta kereke 2010:130).The scrutiny will examine the way in which style depicts irony in the very hymn. In other words, the investigation considers especially the characteristics of style that indicate and develop irony in the work. It will be shown that the irony becomes clear during the service of Baptism which is expressed by way of emotions to develop the authors aim, as this sacrament is something that Christians respect (it goes hand in hand with the forgiveness of their sins).</p

Mongwalelo wa sefela sa Serote: 'A re thabeng re rete' (Difela t�a kereke, 2010)