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Este escrito aborda el topico de la representacion teatral como articulacion de un proceso constante de artificio y enmascaramiento socio historico e individual presente en las novelas El jardin de al lado de Jose Donoso y Desgracia de John M. Coetzee. Este planteamiento se realiza a traves del analisis interpretativo de distintos pasajes contenidos en ambas obras y la inclusion de otros escritos de los autores. Asi, se observara una configuracion otra de los roles y espacios descritos, por medio de los cuales se desarrolla una propuesta escritural que emerge desde el personaje/lector hacia un actor/espectador, cuyas presencias se desenvuelven siguiendo los codigos teatrales del montaje y la mascara como por mas artificiosas de representacion. Abstract This writing addresses the topic of theatrical representation as an articulation of a constant process of artifice and socio-historical and individual masking present in the novels El jardin de al lado by Jose Donoso and Desgracia by John M. Coetzee. This approach is carried out through the interpretative analysis of different passages contained in both works, and the inclusion of other writings by the authors. So, another configuration of the roles and spaces described will be observed, through which a proposal is developed that emerges from the character/reader towards an actor/spectator, whose presences unfold following the theatrical codes of montage and the mask like artificial forms of representation.

TELÓN DE FONDO: LA CULTURA TEATRAL EN EL JARDÍN DE AL LADO DE JOSÉ DONOSO Y DESGRACIA DE JOHN M. COETZEE