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Este ensayo parte de una lectura comparativa entre tres novelas brasilenas publicadas a mediados de la segunda decada del siglo XXI, cuyas narrativas traen de vuelta la dictadura militar brasilena (1964-1985): A noite da espera, de Milton Hatoum; K.: relato de uma busca, de Bernardo Kucinski; y Noite dentro da noite – uma autobiografia, de Joca Reiners Terron. En primer lugar, se verifica que estas novelas estan en sintonia con una poetica del fracaso, que tiene a Roberto Bolano como uno de sus principales defensores en Latinoamerica. En segundo lugar, se comparan la idea de Walter Benjamin de una estetica de las ruinas (como la trata Katia Muricy) y la idea de poetica del fracaso, y este paralelismo permite reflexionar sobre el comienzo de la posmodernidad brasilena en 1968. La conclusion principal es la que haber ocurrido en 1968 los eventos de mayo en Francia y el AI-5 en Brasil hizo de la sensacion de fracaso un rasgo importante del espiritu posmoderno brasileno, pero esto no es malo como puede parecer.   Abstract: This essay departs from a comparative reading among three Brazilian novels published in the second decade of the 21st century, whose narratives bring back the Brazilian military dictatorship (1964-1985): A noite da espera, by Milton Hatoum; K.: relato de uma busca, by Bernardo Kucinski; and Noite dentro da noite – uma autobiografia, by Joca Reiners Terron. Firstly, it is verified that these novels are in syntony with a poetics of failure,which has Roberto Bolano as one of its main defenders in Latin America. Secondly, Walter Benjamin’s idea of an aesthetics of ruins, as dealt with by Katia Muricy, is compared to the idea of a poetics of failure, and this parallelism is used to think about the beginning of Brazilian post-modernity in 1968. The main conclusion is that the occurrence of both the May 68 events in France and the AI-5 in Brazil in a short while made the feeling of failure an important trait of the Brazilian post-modern spirit, and this is not bad as it may sound.

nueva revista del pacífico/nueva revista del pacífico

&#8220;AQUI TUDO PARECE QUE AINDA ERA CONSTRUÇÃO E JÁ É RUÍNA&#8221;: FRAGMENTOS PARA SE PENSAR A POÉTICA DO FRACASSO COMO UM TRAÇO DA PÓS-MODERNIDADE BRASILEIRA