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This text approaches the evolution of the veladas (cultural gatherings) and festivals, common expressions of the socialist, anarchist and communist left in Montevideo between 1920 and 1950. In addition to picnics and sports, courses and conferences, those were expressions of the culture of workers in closed theaters and premises. They gathered funds for the working press and prisoners, also being areas of sociability and militancy that brought families together in spaces of camaraderie and “culture”. These activities (theater, poetry, dances, conferences, cinema), which were intense in the 1940’s, became simpler until almost disappearing. This happened in the midst of relevant cultural changes such as the massive impact of cinema and radio and the strength of the “welfare state” and its hegemony, which the left and their cultural forms tried to dispute.

Formas de la cultura alternativa: las &#8217;veladas&#8217; y los festivales de las izquierdas uruguayas (Montevideo, 1920-1950)

Formas de la cultura alternativa: las ’veladas’ y los festivales de las izquierdas uruguayas (Montevideo, 1920-1950)