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espanolEl articulo se centra en el grupo artistico vanguardista de Valparaiso llamado Rosa Nautica, que entre 1922 y 1923 intento retratar el cotidiano de la poblacion de los cerros del puerto, igualmente este grupo se caracterizo por difundir manifiestos que apelaban a una revolucion social guiada por los sectores desposeidos, y no por intelectuales. En gran medida aquella apelacion nacia de la relacion entablada con un exiliado hungaro del regimen socialista de Bela Kun. Las investigaciones previas a este grupo vanguardista no han destacado su mirada social, subsumiendola a discusiones sobre el estilo de escritura mas que a su fondo. Por tanto consideramos importante revalorar su mirada de los sectores desposeidos de Valparaiso, junto con el proyecto politico que el grupo enarbolaba, en gran medida para construir una mirada mas amplia sobre el desarrollo de la literatura social chilena de la decada de 1920. EnglishThe article focuses on the avant-garde artistic group of Valparaiso called Rosa Nautica, which between 1922 and 1923 tried to portray the daily life of the population of the hills of the port. Also, this group was characterized by spreading the manifestos that appealed to a social revolution led by the dispossessed sectors, not the intellectuals, whose appeal largely stemmed from the relationship established with one exiled Hungarian Socialist Bela Kun regime. Previous research about this avant-garde group has not highlighted his social gaze, subsuming discussions about the writing style more than his background. Therefore we consider it important to reevaluate his vision of the dispossessed sectors of Valparaiso, along with the political project that the group brandished, largely to build a broader view of the development of Chilean social literature of the 1920s.

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Narrar el cotidiano de los portadores de la revolución social: Proyecto político y artístico del movimiento vanguardista Rosa Náutica, Valparaíso, Chile (1922-1923)