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Indexación: Revista UNABHeidegger reivindicó la primacía del lenguaje poético sobre el lenguaje racional de la metafísica tradicional, pero rechazó el uso de la metáfora en él. Su discípulo Grassi atribuye en cambio a la metáfora una fundamental importancia filosófica, no solo por su función en el arte, la técnica y la vida humana en general, sino también porque todo cuanto se manifiesta a través de los sentidos (donde se inicia el conocimiento) se carga inevitablemente de significados pasionales ajenos en sí mismos a las representaciones sensoriales, de modo que todo lenguaje que expresa una realidad es en su esencia metafórico.Heidegger defended the primacy of poetic language over the rational language of traditional metaphysics, though rejecting the use of metaphor in such language. His disciple Grassi, however, attached the greatest philosophical importance to metaphor, not only for the role it plays in art, technology, and human life in general, but also because everything that becomes manifest through the senses -where knowledge begins- inevitably becomes charged with passionate meanings in themselves alien to sensory representations; thus any language that expresses a reality is in essence metaphorical

LENGUAJE POÉTICO Y METÁFORA EN LA OBRA DE ERNESTO GRASSI