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El articulo propone una lectura de la obra Irredentos de Antonio Acevedo Hernandez, intentando mostrar las innovaciones dramaturgicas que contiene en el contexto del teatro chileno de la epoca. Para ello se recurre a la aplicacion de un marco de analisis que vincula la obra acevediana con topicos de las vanguardias artisticas teatrales de inicios del siglo XX, especialmente sus vinculos con la categoria de teatro politico propuesta por Erwin Piscator y el concepto de estructura de sentimiento propuesto por Raymond Williams. The article proposes a reading of the dramaturgical innovations of the play Irredentos by Antonio Acevedo Hernandez in the context of the Chilean theater at the beginning of the 20th century. An analytical framework that links Acevedo’s work with topics of theatrical avant-garde of the period is applied. Emphasislies on the relationship between his work with the category of Political Theater by Erwin Piscator, and the concept of structure of feeling by Raymond Williams.

Interrupciones momentáneas de la convención: Aportes para la comprensión de Irredentos de Antonio Acevedo Hernández