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espanolResumen: La autopercepcion de un “nosotros”, sustentado en un pasado en comun, construye una autoconcepcion de identidad entre los comuneros peninsulares. Museos y patrimonio cultural articulados al conocimiento cientifico y arqueologico reconstruyen el pasado cultural y sustentan el presente. El caracter colectivo de la identidad cultural ha permitido garantizar la continuidad y permanencia en el tiempo de la sociedad comunal, y establece los limites en relacion con su entorno social, definiendo quienes son, con quienes comparten y como se reconocen en su patrimonio. En este sentido, cada comunidad es un universo social que se asume como depositario de un acervo cultural que le ha sido heredado, en torno al cual forjan una identidad colectiva local, que se configura en contraste con el imaginario hegemonico de la identidad nacional. Esta presentacion procura establecer dialogos entre interpretaciones arqueologicas con el reconocimiento y los significados atribuidos al patrimonio cultural, en comunas donde se erigieron museos como soporte de la revitalizacion cultural local y nacional. EnglishAbstract: The self-perception of a “we”, anchored in a common past, creates a self-conception of identity among peninsular comuneros. Museums and cultural heritage connected with scientific and archaeological knowledge reconstruct the cultural past and support the present. The collective nature of cultural identity has guaranteed the continuity and permanence over time of the communal society, and sets limits in relation to its social surroundings, defining who they are, who they share with and how they see themselves in their heritage. In this respect, every community is a social universe that identifies itself as a holder of cultural heritage which has been transmitted to them, around which they create a collective local identity that is shaped in contrast to the hegemonic imaginary of national identity. This paper aims at establishing dialogues between archaeological interpretations and the acknowledgement and meanings attributed to cultural heritage, in comunas where museums were built in order to support the revitalization of national and local culture.

REPRESENTACIÓN E IDENTIDAD: LOS MUSEOS LOCALES EN LA PENÍNSULA DE SANTA ELENA EN LA COSTA ECUATORIANA