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espanolResumen: Este articulo se centra en algunos poemas del chileno German Carrasco con el objetivo de explorar las implicancias del despliegue de la visualidad filmica en su poesia, tanto a nivel de la respuesta estetica en una lectura concebida como experiencia corporea y multisensorial, como a nivel de la apreciacion del lazo entre el lenguaje y la realidad sensorial. El analisis, fundamentado en la reciente teoria de la multisensorialidad en el cine y en autores clasicos como Merleau-Ponty y Lyotard, se aplica a tres momentos de la produccion del autor, correspondientes a los poemarios La insidia del sol sobre las cosas, Calas, Clavados, iluminando asi la evolucion de la vocacion visual de su poetica en las primeras etapas de su produccion. EnglishAbstract: This essay analyses some poems by the Chilean author German Carrasco, in order to explore the consequences of the presence of cinematic visuality in his po etry. The study addresses the aesthetic response in a reading conceived as a multisen-sorial and bodily experience, as well as the link between language and perceptual real ity. The analysis is grounded in the recent theory of multisensoriality in movie studies and in classic authors such as Merleau-Ponty and Lyotard, and it helps understand the evolution of the author's poetic in his first epoch, since it spans through his books La insidia del sol sobre las cosas, Calas, Clavados.

LEER ES MIRAR: IMAGEN, PERCEPCIONES Y LENGUAJE EN LA POESÍA DE GERMÁN CARRASCO