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Augusto dos Anjos’s poetry belongs to the last voices of traditional lyricism inBrazil, and thus far from ruptures brought about by Vanguardism or Modernism. Although Darwinism is only superficial, Eschatology is deep and tries to destroy the scientific approach and structure. The grotesque supports anti-lyricism coupled to transcendental philosophy. Since it is immersed in gnosiologic dualism, the literary work Eu [Me] (1912) has a dark physiognomy, which debates Art Nouveau in Augusto dos Anjos’s poetics. These aspects foreground a multi-meaning in-betweenness. A poesia de Augusto dos Anjos pertence às últimas manifestações do lirismo tradicional no Brasil, portanto distante das rupturas vanguardistas ou modernistas. O Darwinismo é apenas aparente, mas a escatologia é profunda e pretende destruir a estrutura cientificista. O grotesco alimenta a antilira, ao lado da filosofia transcendental. Embora imersa nesse binarismo gnosiológico, a obra Eu (1912) tem uma fisionomia lunar, e não solar – ponto de discussão sobre o art nouveau na poética do Eu. Todos esses aspectos estruturam um entrelugar plurissignificativo.

<b>A poética de Augusto dos Anjos: o entre-lugar do <i>Eu</i> <b>