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Doubleness and duplicity in the novel The Book of Chameleons by the Angolan writer Jose Eduardo Agualusa are analyzed. The two factors may be found in the identification between the two narrators and in the two most emphasized possibilities in the interpretation of the novel, or rather, subjectivity and national identity. Agualusa’s novel may also be defined as belonging to ‘minor literature’, as conceived by Deleuze and Guattari’s text Kafka: Toward a minor literature. According to these authors, in minor literature, each subject is inscribed in and connected with politics, a highly strong factor in The Book of Chameleons.  O presente trabalho visa a apontar a presença do duplo e da duplicidade no romance O vendedor de passados, do escritor angolano José Eduardo Agualusa, que podem ser encontradas desde a identificação entre os dois narradores do texto até as duas mais insistentes possibilidades de leitura da obra: uma referente à subjetividade e, a outra, relativa à identidade nacional. Pretendemos, ainda, mostrar que o romance de Agualusa pode ser definido como pertencente à ‘literatura menor’, conceito forjado por Deleuze e Guattari, no texto Kafka: por uma literatura menor (1977). De acordo com os autores, nas literaturas menores, o individual é ramificado no imediato político, característica fortemente marcada em O vendedor de passados

From duplicity to the double: reading the upside down embroidery in José Eduardo Agualusa’s