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O artigo analisa como o cineasta Emir Kusturica compõe o personagem principal no documentário Maradona, de 2008. São verificadas as construções de poder apresentadas em torno da figura do ex-jogador, tendo como base os autores Pierre Bourdieu, Max Weber e Erving Goffman. Aideia é tentar compreender de que forma o diretor sérvio busca explicar o fenômeno do argentino no futebol por meio da narrativa documental.The article analyzes how the film maker Emir Kusturica composes the main character in the documentary Maradona, (2008). The constructions of power around the figure of the player are verified, especially by the authors Pierre Bourdieu, Max Weber and Erving Goffman. The purpose of this paper is to try to understand how the Serbian director explains the Argentine phenomenon in football through out the documentary narrative

Construções de poder no documentário Maradona, de Emir Kusturica