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This article evaluates through a comparative process the mythologizing of Patmos, island of the Apocalypse, by Friedrich Holderlin, D. P. Papaditsas and Lorand Gaspar. This “recently created” myth is first examined through the scraps of narrative remaining in the different representations describing the initiation/visit of this space, a visit that assumes the characteristics of a fantasized journey inside mankind’s religious history, or of a deathly peripeteia of the mind, or again of a frugal and elliptical deepening of the innermost self/ space / universe.  The antonymic features of this experiment and of its verbal expression are subsequently studied, leading to emergence of yet another founding myth to be added to the long list of myths about humankind’s writing, a superior stage of this artistic practice through the elaboration of the condensed, syncretic, fragile and sporadic message of the insular space.

Patmos, entre la révélation du sacré et l’opacité du quotidien : Hölderlin, Papaditsas, Lorand Gaspar