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The six years since this article was first published have seen a slow increase in public knowledge of the United States' acoustical practices during the so-called “war on terror.” My own research expanded to include the first-person accounts of several more released detainees, whose imprisonment in the CIA's “dark prison,” in Kandahar and Guantanamo included both “interrogational” and “terroristic” torture. In addition, two important academic initiatives have helped to contextualize acoustica...

Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror”