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Most work on the relationship between science and science fiction focuses on how science fiction can advance science by speculatively elaborating scientific theories. This text, to the contrary, argues that we should understand some science fiction texts as contributing to the making of science as a social practice rather differently: namely by seeing them as a form of didactic literature which offers moral exempla to scientists or potential scientist readers. In order to illustrate this point, this article considers the representation of scientist-heroes in Gregory Benford’s Cosm and Ursula K. Le Guin The Dispossessed. It illustrates the ways which these authors depict model scientists that can help readers to imagine what it might mean to be a scientist, and to engage in science as a profession. It brings out the ways in which their drive to create such didactic examples may have emerged out of a crisis within the ideology of science itself, namely the crisis of legitimacy and authority of science today known as the Science Wars.

Making Science, Making Scientists, Making Science Fiction: On the Co-Creation of Science and Science Fiction in the Social Imaginary