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Although the violence portrayed in American fiction often forms the base of dramatic action, or the conduit to tension and conflict, or the subversion of one’s beliefs and attitudes, most critics are rightly dissatisfied with seeing violence as only a functional device in fiction. The ways in which writers create violence, as Michael Kowaleski notes, “determines the aesthetic force and perceptual impact that violence has” (4). By and large violence is described or witnessed, and thus it consi...

A Modernist Vernacular: Violent Figurations in Nathanael West’s Miss Lonelyhearts