English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

International audienceRobert Frost’s poetical work, analyzed through the prism of a constant displacement and wandering over the American territory and beyond, questions the concept of mobility in its most physical definition—from his Californian birthplace to his chosen homeland, the garden-setting of New England he likes to stage in his volumes. Treading and wearing off his (metrical) shoes on the various territories the poems frame (whether they are an Edenic environment or a meadow-stage), the Frostian lines voice the silent desire for theatrical performance.Poésie du déplacement constant, de l’errance sur le territoire américain et au-delà, l’œuvre de Robert Frost interroge le concept de mobilité dans son sens le plus physique, depuis son Ouest natal jusqu’à sa nouvelle terre d’attache : le décor-jardin de Nouvelle-Angleterre, qu’il met en scène dans ses recueils, foulant les territoires du pied, du bout de la chaussure, cherchant à les cadrer sous l’aspect d’Eden ou d’une prairie, dans un désir silencieux de représentation théâtrale

The Constant Traveller: Staging Mobility in the Poetry of Robert Frost