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As an artist I pursue a transdisciplinary    practice and my process evolves and takes place in time, in different    contexts and through distinct materials. The collaboration between artists    and scientists is no longer a surprise and is validated as a strategy by    many differing authors. However, the proposed inquiry to reflect on the    working relationships between artists, scientists and communicators of    science, in the process of art production, became a challenging task.    Through the analyses of the production of an art installation (The    Therapy) developed in the context of my PhD research during an artistic    residency in neuroscience laboratories and a hospital, I devised an    approach that touches issues of authorship and collaboration, and    co-construction of knowledge and meaning in a relational network. In    creative terms, the major conclusions are the development of several novel    methods of research, the resulting artefacts and the practical    materialization of these via the agency of installation

Intertwined artistic practices: critical remarks on collaboration across fields of knowledge1