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In ‘Walker Brothers Cowboy’ the motif of identity intersects with the notions of space and place through the story of the Jordan family, which has fallen into disgrace after the Great Depression. Munro portrays both the individual and the collective displacement in Canada during the economic crisis. The purpose of this essay is to discuss, through the lens of Geocriticism, the story’s continual reference to the geographical dimension.

Searching for Lake Huron: Songs, Journeys and Secrets in ‘Walker Brothers Cowboy’