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Contrary to the so-called Adenet le Roi’s other works, Berte as grans pies appears to be an ambiguous, hybrid text, that tends to disappoint the reader at every turn and seems at first to be put together in a very haphazard way. From the prologue on, the narrator takes liberties with the acknowledged topoi that define literary “genres” in the 13th century. He handles his – rather motley – materials in a manner that leads the reader to wonder about the “meaning” (senefiance) of Berte’s adventures, as wife to king Pepin and future mother to Charlemagne, and about the generic nature of this text, neither romance nor chanson de geste, nor saint life – but something of each.

Berte as grans piés et l’abolition des frontières génériques chez Adenet le Roi