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L’etude porte sur un autographe inconnu du capucin Isidore de Seville qui fut reutilise a des fins diverses et qui apporte des elements permettant de connaitre ce que furent les premiers imprimes poetiques (aujourd’hui perdus) du patronage marial de la Divine Bergere.

Un autógrafo de fray Isidoro de Sevilla (1703): entre la predicación y la imprenta