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From early times, music has occupied a central place in the celebration of the Divine Office not only in the secular cursus but, above all, in the monastic one. The Cistercian monastery of S. Bento de Cástris is not oblivious of this reality, in which numerous references to musical practice can be found in thedocumental sources. Among these documental sources may be found a dozen choir books, most of them produced during the sixteenth century, in which is included the manuscript 29 preserved at the Arquivo Distrital de Évora. This is an antiphonary produced in 1558 which contains the rubrics for the Office between the Septuagesimae Sunday and Holy Saturday. Starting from examples of manuscript 29, this study makes and approach to the musical routine in S. Bento de Cástris during Lent and Holy Week and its relation with the textual and musical changes operated after the Council of Trent in the Cistercian chant.

O canto do ofício na Quaresma e Semana Santa no Mosteiro de S. Bento de Cástris