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Mario Cravo Neto is one of the most important contemporary photographers in Brazil. His works show a complex marriage of aesthetic lyricism, sculptural monumentality, and afro-Brazilian themes. In this paper, I am interested in comparisons that have been resisted by other scholars of Cravo Neto’s work. Particularly, I focus on the way his photographs work against the documentary and ethnographic tradition in Brazil. By looking at a series of earlier works by Cravo Neto, I will argue that the legacy of the Black Atlantic archive is an undercurrent in the artist’s work that at times transpires in eloquent ways.

Specters of brazilian history in the early photographic work of Mario Cravo Neto