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Caribbean popular music has served multiple functions. First, it has served as a source of collective memory. In this regard, it has been both a chronicle of the past and a form of positive reconstruction of that past. The constant reference to slavery in the music is an example of this reconstruction—reliving the past as a lesson for the present and the future. The music also reconstructs slavery and colonialism as sources of African fortitude and chronicles the day to day lived experience of the peoples of the region and their interaction with the world. This record of the past then becomes a large part of the region’s collective memory. As Saunders observes:

A Mailman to make Government Understand: The Calypsonian (Chalkdust) as Political Opposition in the Caribbean