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As every work of art that takes place over some time (such as music, literature, cinema, etc.) needs to have its elements temporally organised, it must be possible to describe this disposition (not necessarily in relation with the virtual, fictional time). Of the literary genres, theatre imposes reduced dimensions to each play, as well as clarity in the expression of the characters’ aims, which makes them easier to detect. We propose to use two of Calderón’s comedies as examples for the application of a method to describe the disposition of conflicts in the performance time

La disposición de los conflictos en el tiempo de la recepción en dos comedias de Calderón