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This article outlines the state of the question regarding Calderón’s re-writing of his own plays, with attention to the kind of version in which the different texts have been preserved, and focusing on those cases in which none of the editions has been supervised in any sense by Calderón. The problems arising from this situation are exemplified in the textual transmission of the play Las manos blancas no ofenden

Textos variantes de comedias de Calderón en testimonios no fiables: <em>Las manos blancas no ofenden</em>