English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Lourdes Ortiz’s Las manos de Velazquez includes a great number of pictorial referents that become part of the novel through detailed descriptions or by means of allusions. The protagonist, a professor of art history and an expert on Velazquez’s painting, interprets reality through the lens of art; for that reason, he resorts to the iconographic catalog of negative female stereotypes that have been in circulation in Western culture since time immemorial to project his frustration and his impotence, to reflect on the age difference between him and his wife, to corroborate his wife’s alleged infidelities, and even to justify his own marital indiscretions. The pictorial texts selected to express his mental states also reveal his prejudice, his misogyny, his pedophilic inclinations and his erotic fantasies.

revista de literatura

De la &lt;em&gt;Venus del espejo&lt;/em&gt; a la desmembración del cuerpo femenino: estereotipos pictóricos femeninos en &lt;em&gt;Las manos de Velázquez&lt;/em&gt; (2006), de Lourdes Ortiz