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When we project an emotional charge onto an object, this turns into a thing that refers to ourselves, and allows the subject to know himself/herself better. In this study, the relationship between a black doll called Gorogo and the characters of Ana Maria Matute’s Primera Memoria will be analyzed in order to glimpse the signified that the signifier Gorogo acquires through its displacements. Following Lacan’s postulates, it is possible to determine three positions of the doll. When it remains hidden, it confers a certain protection to the protagonist. When it is revealed and enters in a relationship with the other characters, it causes an odd sensation ( unheimlich ), for being a thing that had to be kept unseen and that has been revealed. At the end, Gorogo stands out for his absence and reveals the temporal dimension of things, namely, the protagonist’s growth and the internal conflict that this entails.

Una isla en un pequeño muñeco negro. El recorrido del significante Gorogó en <em>Primera memoria</em> de Ana María Matute