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The works of Spanish poet Leopoldo Maria Panero (Madrid, 1948) are a part of the current of Modernity that questions the hegemonic —literary and moral— discourse of its time by reflecting on the meaning of Evil in this discourse. One of the key references in this questioning are the works of German Romantic Friedrich Holderlin, from which Panero recovers the notion of a lost Golden Age, as well as an inevitably head toward failure quest of the Absolute. But, beyond intertextual references, Holderin becomes a recurrent topic in Panero’s poetry, as an alter ego of the poet wasted away with madness.

Del genio al ángel caído: Ecos de Hölderlin en la poesía de Leopoldo María Panero