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In Palmerin de Olivia, the first of the imitations of Amadis de Gaula, some differences from the amadisian paradigm can already be traced. Thus, Palmerin, a heroe whose behaviour is almost always exemplary, sometimes shows some weaknesses that make him more human and that distinguish this character from the archetypical perfection of Amadis. This article traces and points out these unknightly behaviours of Palmerin and analyses them as features that distinguish this book from its model. As a result, this study provides new data on the configuration and diversity of the chivalric romance as a genre.

Palmerín de Olivia como enmienda del modelo amadisiano: El rechazo de la perfección arquetípica